Macbeth – Act 1, Scenes 5, 6 and 7
Small Summary
Act 1, Scene 5 – Lady Macbeth Learns About the Prophecy
Lady Macbeth is at Dunsinane when she receives Macbeth’s letter describing his encounter with the Three Witches and their prophecies. She immediately believes that Macbeth is destined to become king, but she fears that he is too kind and morally hesitant to seize the crown by himself. She decides that she must influence him and encourages him to abandon his conscience. When Macbeth arrives, Lady Macbeth tells him to “look like th’ innocent flower, / But be the serpent under’t.” This reveals her understanding of deception and her willingness to use it to achieve power. She learns that King Duncan is coming to their castle that night and sees this as an opportunity to murder him. The scene establishes Lady Macbeth as ambitious, determined, and initially more ruthless than her husband.
Act 1, Scene 6 – Duncan Arrives at Macbeth’s Castle
King Duncan arrives at Macbeth’s castle at Inverness with Malcolm, Donalbain, Banquo, and other nobles. Duncan comments on the pleasant surroundings and the welcoming atmosphere of the castle. This creates strong dramatic irony, because the audience knows that Duncan is entering a place where he is about to be murdered. Lady Macbeth welcomes Duncan warmly and behaves like a loyal and gracious hostess. Duncan has complete faith in Macbeth and his wife and remains unaware of their murderous intentions. The peaceful atmosphere of the scene contrasts sharply with the terrible crime that is about to occur. Shakespeare therefore develops the theme of appearance versus reality and prepares the audience for Duncan’s murder.
Act 1, Scene 7 – Macbeth Struggles with His Conscience
Macbeth is alone before Duncan’s murder and considers whether he should go through with the assassination. He understands that killing Duncan is morally wrong and politically dangerous. He recognises that Duncan is his king, relative, and guest, and that Duncan has been a good ruler. Macbeth also fears the consequences of committing such a crime. For a moment, he decides that he will not murder Duncan and tells Lady Macbeth that they should proceed no further with the plan. Lady Macbeth attacks his courage and questions his manhood, accusing him of being weak and inconsistent. She then reveals her own determination and explains how they can carry out the murder and blame Duncan’s guards. Her manipulation finally persuades Macbeth to proceed. The scene ends with Macbeth deciding to disguise his intentions and commit the murder, declaring that they must “false face must hide what the false heart doth know.”
Significance of Scenes 5–7
These three scenes form a crucial sequence in the development of the tragedy:
Scene 5: Lady Macbeth learns of the prophecy and decides to encourage Macbeth’s ambition.
Scene 6: Duncan arrives at Macbeth’s castle, unaware of the danger.
Scene 7: Macbeth struggles with his conscience but is finally persuaded by Lady Macbeth to murder Duncan.
Together, the scenes show the movement from ambition → temptation → moral conflict → decision to commit murder. They also strongly develop the themes of ambition, deception, appearance versus reality, gender, guilt, and free will.
Macbeth – Act 1, Scenes 5, 6 and 7
Detailed Analysis
Act 1, Scenes 5, 6, and 7 are crucial to the development of the tragedy because they transform the witches’ prophecy of kingship into a definite plan to murder Duncan. These scenes introduce Lady Macbeth’s character, establish the contrast between her determination and Macbeth’s hesitation, create powerful dramatic irony, and develop the themes of ambition, appearance versus reality, deception, gender, fate and free will. By the end of Scene 7, Macbeth has moved from uncertainty to a firm decision to participate in Duncan’s murder.
1. Act 1, Scene 5: Lady Macbeth and Ambition
Act 1, Scene 5 introduces Lady Macbeth, one of the most important characters in the tragedy. She is immediately presented as a woman of extraordinary ambition, determination, and willpower.
She reads Macbeth’s letter describing the witches’ prophecies and immediately accepts the possibility that Macbeth will become king. However, she is concerned that Macbeth’s personality may prevent him from taking the necessary steps to achieve the crown.
She says:
“Yet do I fear thy nature;
It is too full o’ the milk of human kindness.”
This reveals her understanding of Macbeth’s character. She knows that he possesses ambition, but she believes that he is also compassionate and morally sensitive.
For Lady Macbeth, this “milk of human kindness” is an obstacle.
She believes that Macbeth may want the crown but may not possess enough ruthlessness to obtain it.
2. The “Milk of Human Kindness”
The metaphor “milk of human kindness” is significant because milk traditionally suggests nurturing, tenderness, compassion, and gentleness.
Lady Macbeth uses this positive quality negatively.
She believes that Macbeth’s kindness will prevent him from committing the murder required to become king.
This reveals an important difference between the two characters.
Macbeth still possesses a functioning moral conscience, whereas Lady Macbeth is prepared to suppress her conscience in pursuit of power.
Thus, Lady Macbeth sees Macbeth’s goodness not as a virtue but as a weakness that must be overcome.
3. Lady Macbeth’s Iron Will
Lady Macbeth does not merely wait to see what happens.
As soon as she hears that Duncan is coming to their castle, she begins thinking about how the opportunity can be used.
Her immediate response demonstrates her decisiveness.
She does not spend time questioning whether Duncan deserves to die. Her attention is focused on achieving the crown.
This makes her, at this stage of the play, more determined than Macbeth.
She understands that Macbeth’s ambition needs direction, and she intends to provide that direction herself.
4. “Unsex Me Here”
Lady Macbeth invokes supernatural forces and asks:
“Come, you spirits
That tend on mortal thoughts, unsex me here.”
This is one of the most important expressions of her character.
She wants to remove the qualities that she associates with conventional femininity, particularly compassion, tenderness, and emotional sensitivity.
She believes these qualities will prevent her from carrying out a violent act.
Her request shows how deliberately she is preparing herself for Duncan’s murder.
She wants to replace natural feeling with cruelty and determination.
5. Rejection of Compassion
Lady Macbeth asks the supernatural spirits to make her blood thick and fill her with “direst cruelty.”
Her purpose is to prevent feelings of pity and remorse from interfering with the murder.
This reveals the extreme nature of her ambition.
She understands that murder requires a suppression of ordinary human feeling, and she actively seeks to achieve that state.
The irony is that she cannot permanently eliminate her conscience.
Later in the tragedy, guilt becomes one of the major causes of her psychological suffering.
Therefore, the seeds of her eventual downfall are already present in her attempt to deny her natural feelings.
6. The Symbolism of Darkness
Lady Macbeth calls upon the darkness:
“Come, thick night,
And pall thee in the dunnest smoke of hell.”
The imagery of night, darkness, smoke, and hell establishes a sinister atmosphere.
Darkness becomes a symbol of evil, secrecy, concealment, and moral corruption.
Lady Macbeth wants darkness to hide the murder from human beings and from heaven itself.
The contrast between light and darkness is important throughout the play.
Light is traditionally associated with goodness and openness, while darkness is associated with evil and secrecy.
The fact that Lady Macbeth welcomes darkness reflects her willingness to enter the world of crime.
7. “Look Like the Innocent Flower”
When Macbeth arrives, Lady Macbeth gives him a direct instruction:
“Look like th’ innocent flower,
But be the serpent under’t.”
This is one of the clearest expressions of the theme of appearance versus reality.
The flower suggests:
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Innocence
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Beauty
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Gentleness
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Purity
The serpent, by contrast, suggests:
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Deception
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Evil
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Treachery
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Hidden danger
Lady Macbeth wants Macbeth to appear harmless while secretly preparing to commit murder.
She therefore teaches him that deception is necessary for ambition.
8. The Serpent Image
The image of the serpent has powerful moral and biblical associations.
The serpent traditionally represents temptation, deception, and evil.
Lady Macbeth’s advice therefore suggests that Macbeth must hide his true intentions beneath an innocent appearance.
This image becomes a model for Macbeth’s behaviour.
He will later greet Duncan politely, act as a loyal subject, and simultaneously plan his murder.
The contrast between the innocent exterior and the evil intention within becomes one of the central patterns of the tragedy.
9. Act 1, Scene 6: Duncan Arrives at Macbeth’s Castle
Act 1, Scene 6 creates powerful dramatic irony.
Duncan arrives at Macbeth’s castle with Banquo and other nobles.
He finds the surroundings pleasant and peaceful.
Duncan has no idea that his host and hostess are preparing to murder him.
The audience, however, already knows Lady Macbeth’s plan.
This difference between what Duncan believes and what the audience knows creates dramatic tension.
10. The Pleasant Castle and Hidden Evil
Duncan describes the castle as a pleasant and welcoming place.
Banquo also notices the peaceful atmosphere and the presence of the martlet, a bird that has chosen the castle as a suitable place to build its nest.
The bird suggests peace, safety, and hospitality.
Yet the audience knows that the castle is about to become the scene of murder.
This creates a striking contrast:
Peaceful appearance → Hidden danger
The castle therefore becomes a symbol of the larger theme of appearance versus reality.
11. Duncan’s Trust
Duncan is completely unaware of the danger around him.
He trusts Macbeth and Lady Macbeth.
His trust is particularly tragic because Macbeth is both Duncan’s subject and host.
As a subject, Macbeth owes Duncan loyalty.
As a host, he has a moral responsibility to protect his guest.
The planned murder will therefore violate both political loyalty and the sacred tradition of hospitality.
Duncan’s goodness and trust make his coming death even more tragic.
12. Lady Macbeth’s False Hospitality
Lady Macbeth welcomes Duncan with great courtesy.
She behaves exactly as a noble hostess should behave.
Her language is respectful, graceful, and welcoming.
Yet the audience knows that her hospitality is completely false.
She is welcoming Duncan into the very place where he is going to be murdered.
This is a powerful example of dramatic irony and hypocrisy.
Her outward behaviour represents innocence, while her private intentions represent treachery.
13. Duncan’s Admiration of His Hostess
Duncan is deeply impressed by Lady Macbeth’s hospitality.
He considers her a noble hostess and speaks warmly of the welcome he has received.
This makes the dramatic irony even stronger.
Duncan’s admiration is sincere, while Lady Macbeth’s behaviour is calculated.
Shakespeare deliberately makes Duncan praise the very person who is secretly preparing his death.
The audience therefore experiences a sense of tension that Duncan himself cannot feel.
14. Act 1, Scene 7: Macbeth’s Moral Conflict
Scene 7 moves from external deception to Macbeth’s inner conflict.
Macbeth is alone and considers whether he should murder Duncan.
Unlike Lady Macbeth, he does not immediately embrace the idea.
He thinks carefully about the consequences.
This soliloquy is important because it reveals Macbeth’s conscience.
He understands that Duncan is not merely his king.
Duncan is also his relative, guest, and a good ruler.
Therefore, Macbeth knows that the proposed murder is morally wrong.
15. Macbeth’s Reasons for Not Killing Duncan
Macbeth recognises several reasons why Duncan should not be murdered.
Duncan is his king, and Macbeth owes him loyalty.
He is also Macbeth’s kinsman, making the betrayal personal.
Finally, Duncan is Macbeth’s guest, and Macbeth has a duty to protect him.
Macbeth also knows that Duncan has ruled well and is respected by his people.
Thus, there is no moral or political justification for the murder.
Macbeth’s only real reason for wanting Duncan dead is his desire for the crown.
16. Macbeth and the Consequences of Murder
Macbeth understands that murder will have consequences.
He fears that violence may lead to further violence and that the crime may eventually return upon the murderer.
His imagination allows him to see the danger before the crime is committed.
This is important because Macbeth is not ignorant of morality.
He knows exactly what he is doing.
His tragedy therefore arises not because he cannot distinguish right from wrong, but because he ultimately chooses to violate what he knows to be right.
17. “Vaulting Ambition”
Macbeth identifies the real source of his desire:
“Vaulting ambition.”
This is one of the most important phrases in the scene.
Macbeth admits that he has no legitimate reason for killing Duncan.
His motivation is simply ambition.
The metaphor of “vaulting” suggests a person attempting to leap over an obstacle and falling because the leap is too great.
It suggests that ambition can become excessive and self-destructive.
Macbeth wants to rise to the highest position, but the very ambition that drives him towards the throne will ultimately destroy him.
18. Macbeth’s Initial Decision to Stop
After considering the consequences, Macbeth decides that he will not proceed with the murder.
He tells Lady Macbeth:
“We will proceed no further in this business.”
This is a significant moment because Macbeth still has a choice.
The witches have predicted that he will become king, but they have not explicitly ordered him to murder Duncan.
Macbeth could therefore wait and see whether the prophecy is fulfilled naturally.
For a brief moment, he chooses morality over ambition.
But this decision does not last.
19. Lady Macbeth Challenges Macbeth
Lady Macbeth refuses to accept Macbeth’s decision.
She attacks his courage and masculinity.
Instead of discussing the morality of murder, she questions whether Macbeth is sufficiently brave to carry out what he has already wanted.
Her strategy is psychologically calculated.
She knows that Macbeth is a warrior and that his identity is closely connected with courage.
By questioning his manhood, she pushes him towards proving himself.
20. Gender and Masculinity
The scene presents a complicated idea of masculinity.
Lady Macbeth equates courage with the willingness to act decisively.
She suggests that Macbeth’s hesitation makes him less of a man.
This is ironic because murder is presented as proof of masculinity.
Macbeth is a brave warrior on the battlefield, but Lady Macbeth attempts to transfer that warrior courage into the act of killing Duncan.
Her manipulation is successful because Macbeth cares deeply about his honour and courage.
21. Lady Macbeth’s Shocking Image of Motherhood
Lady Macbeth uses an extremely disturbing image to demonstrate her determination.
She declares that even if she had sworn to commit an act, she would carry it out even if it meant taking a nursing child and destroying it.
The image is intentionally shocking.
It demonstrates that she is prepared to violate even the strongest natural and maternal emotions in order to keep her word.
This reinforces her rejection of compassion.
It also makes her character appear extraordinarily ruthless at this point in the play.
22. Lady Macbeth’s Practical Intelligence
Lady Macbeth does not rely only on emotional manipulation.
She also presents a detailed plan for the murder.
Duncan’s guards will be given alcohol and made incapable of defending him.
The murder will then be blamed on the guards.
Their weapons will be used and Duncan’s blood will be placed upon them to make them appear guilty.
This reveals Lady Macbeth’s practical intelligence and strategic thinking.
She is not merely ambitious.
She is capable of turning ambition into a concrete plan.
23. Macbeth’s Transformation
By the end of Scene 7, Macbeth has changed.
At first, he is:
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Hesitant
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Thoughtful
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Morally conflicted
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Afraid of consequences
After Lady Macbeth’s persuasion, he becomes:
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Determined
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Deceptive
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Prepared to act
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Willing to participate in murder
This is one of the most important transitions in Act 1.
Lady Macbeth does not create Macbeth’s ambition.
Macbeth already possesses ambition.
What she does is remove some of his hesitation and push him towards action.
24. “False Face Must Hide What the False Heart Doth Know”
Macbeth ends the scene by accepting the necessity of deception:
“False face must hide what the false heart doth know.”
This line brings together the ideas developed in Scenes 5, 6, and 7.
The “false face” represents outward appearance.
The “false heart” represents Macbeth’s hidden intention.
Macbeth now understands that he must appear innocent while concealing his plan.
The line therefore connects directly with Lady Macbeth’s earlier advice:
“Look like th’ innocent flower, / But be the serpent under’t.”
Both statements express the same principle:
Appear innocent; conceal evil.
25. Appearance Versus Reality
The theme of appearance versus reality runs through all three scenes.
In Scene 5, Lady Macbeth teaches Macbeth to disguise his intentions.
In Scene 6, Duncan sees a welcoming castle and a noble hostess while the audience knows that murder is being planned.
In Scene 7, Macbeth consciously accepts that his outward appearance must conceal his inner intentions.
Shakespeare therefore presents a world in which what appears to be true may be completely false.
This theme will become increasingly important as the tragedy develops.
26. Fate and Free Will
The scenes also explore the relationship between fate and free will.
The witches predict that Macbeth will become king.
However, the prophecy does not explicitly require Macbeth to murder Duncan.
Macbeth himself considers whether he should simply allow events to take their course.
His decision to murder Duncan is therefore a personal choice.
Lady Macbeth influences him, but she does not force him physically.
The tragedy therefore raises an important question:
Does prophecy determine Macbeth’s actions, or does Macbeth choose to make the prophecy come true?
Shakespeare suggests that supernatural prophecy may create temptation, but Macbeth’s own ambition and choices play a crucial role in determining his fate.
27. Macbeth and Lady Macbeth: A Contrast
These scenes establish a clear contrast between Macbeth and Lady Macbeth.
Macbeth
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Ambitious
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Hesitant
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Morally aware
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Concerned about consequences
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Troubled by Duncan’s goodness
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Needs persuasion
Lady Macbeth
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Ambitious
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Determined
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Ruthless
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Decisive
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Focused on the goal
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Willing to manipulate Macbeth
At this stage of the play, Lady Macbeth appears psychologically stronger than Macbeth.
However, Shakespeare later complicates this relationship as guilt affects both characters differently.
28. Symbolism of Night and Darkness
The imagery of night and darkness in Scene 5 prepares the audience for Duncan’s murder.
Lady Macbeth wants darkness to conceal the crime.
Darkness therefore becomes a symbol of evil and secrecy.
The movement from daylight to darkness also reflects Macbeth’s moral movement.
He begins as a respected and loyal warrior.
He is gradually drawn into a world of secrecy, deception, and murder.
The physical darkness of the night therefore reflects the growing moral darkness within Macbeth and Lady Macbeth.
29. Duncan’s Virtue and Macbeth’s Guilt
Duncan’s goodness makes Macbeth’s decision particularly significant.
Macbeth knows that Duncan is:
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Generous
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Virtuous
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A good ruler
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Respected by his subjects
Macbeth therefore cannot convince himself that Duncan deserves to die.
His decision is driven entirely by his own ambition.
This makes the murder a particularly serious act of betrayal.
The better Duncan is, the greater Macbeth’s guilt becomes.
30. The Movement from Thought to Action
Perhaps the most important development across these scenes is the movement from thought to action.
At first, kingship exists only as a prophecy.
Then Lady Macbeth begins thinking about how it can be achieved.
Duncan’s arrival provides an opportunity.
Macbeth debates whether to act.
Lady Macbeth persuades him.
Finally, Macbeth accepts the plan.
The sequence can therefore be represented as:
Prophecy → Ambition → Opportunity → Moral conflict → Persuasion → Decision → Deception → Murder
This is the essential dramatic movement of these scenes.
31. Important Quotations
“It is too full o’ the milk of human kindness.”
Shows Lady Macbeth’s belief that Macbeth is too compassionate to act ruthlessly.
“Unsex me here.”
Shows Lady Macbeth’s rejection of conventional femininity and her desire for cruelty.
“Come, thick night.”
Establishes darkness as a symbol of evil and secrecy.
“Look like th’ innocent flower, / But be the serpent under’t.”
Expresses the theme of appearance versus reality.
“This castle hath a pleasant seat.”
Creates dramatic irony because Duncan praises the very place where he is about to be murdered.
“We will proceed no further in this business.”
Shows Macbeth’s initial moral resistance.
“Vaulting ambition.”
Identifies ambition as Macbeth’s true motive.
“False face must hide what the false heart doth know.”
Shows Macbeth’s final acceptance of deception and his decision to proceed with the murder.
Conclusion
Act 1, Scenes 5, 6, and 7 represent a decisive turning point in Macbeth. Scene 5 establishes Lady Macbeth as intensely ambitious and determined. She recognises Macbeth’s ambition but believes that his “milk of human kindness” will prevent him from acting. She therefore prepares herself to reject compassion and encourages Macbeth to disguise his intentions.
Scene 6 creates powerful dramatic irony. Duncan enters Macbeth’s castle believing that it is a peaceful and welcoming place. Lady Macbeth behaves like a gracious hostess, while the audience knows that she is secretly preparing for Duncan’s murder. The contrast between the castle’s pleasant appearance and its murderous reality strongly develops the theme of appearance versus reality.
Scene 7 provides the deepest insight into Macbeth’s character. He knows that Duncan is his king, kinsman, guest, and a virtuous ruler. He understands the moral and political consequences of murder and initially decides not to proceed. However, Lady Macbeth attacks his courage, questions his masculinity, and presents a practical murder plan. Macbeth finally allows his ambition to overcome his conscience.
The three scenes therefore show the crucial transformation of Macbeth from a man who thinks about murder into a man who chooses to commit it. The witches may introduce the possibility of kingship, and Lady Macbeth may intensify his ambition, but Macbeth ultimately makes the decision himself. His final acceptance of the need for a “false face” marks the beginning of his deliberate descent into deception, violence, and tragedy.
Macbeth Act 1, Scenes 5–7
Questions and Answers
ACT 1, SCENE 5
A. Short Answer Questions
1. Why does Lady Macbeth fear that Macbeth may not become king?
Lady Macbeth believes that Macbeth has sufficient ambition to become king but lacks the will and determination to achieve it. She considers him too full of the “milk of human kindness” to commit the cruel deed required to obtain the crown. She therefore decides that she must influence and strengthen his resolve.
2. What does Lady Macbeth mean by “milk of human kindness”?
The phrase refers to Macbeth’s compassionate and humane nature. Lady Macbeth considers these qualities a weakness because they may prevent him from murdering Duncan. She believes that Macbeth needs to become more ruthless if he is to fulfil the witches’ prophecy.
3. Why does Lady Macbeth invoke the spirits?
Lady Macbeth invokes the spirits because she wants to suppress all natural feelings of pity and remorse. She asks them to “unsex” her and fill her with cruelty so that nothing will prevent her from participating in Duncan’s murder. Her invocation reveals her extreme determination.
4. What does Lady Macbeth mean by “unsex me here”?
Lady Macbeth wants to free herself from the qualities that she associates with femininity, particularly tenderness, compassion and weakness. She believes that these qualities could prevent her from committing murder. She therefore asks the supernatural powers to make her emotionally hard and ruthless.
5. Why does Lady Macbeth ask for “thick night”?
Lady Macbeth asks for darkness because she wants the murder to remain hidden from human beings and from heaven. Night symbolises secrecy, evil and concealment. Her invocation of darkness also creates a sinister atmosphere for the crime that is about to take place.
6. What does the “innocent flower” and “serpent” represent?
The “innocent flower” represents Macbeth’s outward appearance of innocence, kindness and loyalty. The “serpent” represents the hidden evil and murderous intention beneath that appearance. Lady Macbeth therefore advises Macbeth to deceive Duncan by appearing harmless while secretly preparing to kill him.
B. Reason-Based Questions
7. Lady Macbeth believes that Macbeth would not be able to carry out the murder of Duncan. Why?
Lady Macbeth believes that Macbeth is too compassionate and morally sensitive to commit such a cruel act. Although he is ambitious and desires the crown, she thinks his “milk of human kindness” will prevent him from acting ruthlessly. She therefore decides that she must strengthen his determination and overcome his hesitation.
8. Why does Lady Macbeth ask Macbeth to hide his looks?
Lady Macbeth knows that Macbeth’s face may reveal his murderous thoughts and intentions. She therefore asks him to conceal his emotions and behave naturally in Duncan’s presence. Her advice is part of the larger plan to maintain an innocent appearance while secretly preparing for the murder.
9. Why does Lady Macbeth describe the messenger as a “raven”?
Lady Macbeth associates the messenger with a raven, a bird traditionally connected with death and ill omens. The messenger brings news that Duncan is coming to Macbeth’s castle, which gives Lady Macbeth the opportunity she has been waiting for. The image therefore foreshadows Duncan’s impending death.
10. Why does Lady Macbeth describe Macbeth’s face as revealing his murderous thoughts?
Macbeth is not naturally deceptive at this point and his emotions are visible in his expressions. Lady Macbeth fears that Duncan may recognise something suspicious in his face. She therefore advises Macbeth to control his appearance and conceal the thoughts that are reflected in his expression.
ACT 1, SCENE 6
A. Short Answer Questions
11. Why does Duncan find Macbeth’s castle pleasant?
Duncan finds the castle pleasant because it appears peaceful, welcoming and hospitable. The natural surroundings also seem beautiful and comfortable. His admiration is ironic because the audience already knows that the castle conceals a plan to murder him.
12. Who is described as the “guest of summer”?
The martlet, a small bird, is described as the “guest of summer.” Banquo notices that the bird has chosen Macbeth’s castle as a suitable place to build its nest. Its presence suggests that the castle appears peaceful, safe and welcoming.
13. Why is the martlet significant in this scene?
The martlet symbolises the apparent peace and safety of Macbeth’s castle. It chooses to build its nest there because the castle seems welcoming and secure. This becomes ironic because the castle is actually hiding a murderous plot against Duncan.
14. Why does Duncan call Lady Macbeth a “noble hostess”?
Duncan calls Lady Macbeth a noble hostess because she welcomes him with gracious and respectful hospitality. She behaves exactly as a loyal subject and generous hostess should behave. The description is ironic because the audience knows that she is secretly planning his murder.
15. What is the dramatic irony in Duncan’s statement about the castle?
Duncan sees Macbeth’s castle as a pleasant and peaceful place, while the audience knows that it is the setting for his impending murder. His trust in the castle and its inhabitants therefore contrasts sharply with the reality. This creates strong dramatic irony.
B. Reason-Based Questions
16. Why does Lady Macbeth appear to be a perfect hostess?
Lady Macbeth deliberately behaves like a perfect hostess because she wants Duncan to have no suspicion about her intentions. She uses courteous and respectful language and welcomes him warmly. Her outward behaviour conceals the murderous plan that she and Macbeth have already formed.
17. Why is the scene ironic in nature?
The scene is ironic because everything appears pleasant on the surface while something terrible is about to happen underneath. Duncan praises the castle and Lady Macbeth’s hospitality, but the audience knows that he is about to be murdered. The contrast between appearance and reality creates the irony.
18. Why does Duncan say he would be grateful to Macbeth?
Duncan is deeply grateful to Macbeth for his loyal service and bravery. He believes Macbeth deserves further rewards and honours. Ironically, Duncan’s generosity is directed towards the very man who is preparing to betray and murder him.
ACT 1, SCENE 7
A. Short Answer Questions
19. Why is Macbeth hesitant to murder Duncan?
Macbeth hesitates because he understands that Duncan’s murder would be a terrible crime. Duncan is his king, kinsman and guest, and he has been a good and virtuous ruler. Macbeth also fears the consequences of committing such an act.
20. What does Macbeth mean by “We will proceed no further in this business”?
Macbeth means that he has decided to abandon the plan to murder Duncan. He has thought carefully about the moral and political consequences and realises that there is no justification for the crime. At this point, his conscience is stronger than his ambition.
21. What is the only reason Macbeth finds for murdering Duncan?
Macbeth admits that he has no valid reason for murdering Duncan except his own “vaulting ambition.” Duncan has not harmed him and is a good king. Macbeth therefore recognises that his desire for power is the only force pushing him towards murder.
22. What does Macbeth mean by “vaulting ambition”?
“Vaulting ambition” refers to an excessive desire for power that may ultimately cause a person’s downfall. Macbeth compares his ambition to something attempting to leap too high and falling on the other side. The phrase reveals that he understands the dangerous nature of his own ambition.
23. How does Lady Macbeth persuade Macbeth to murder Duncan?
Lady Macbeth attacks Macbeth’s courage and masculinity when he decides not to proceed with the murder. She suggests that a truly determined man would act upon his ambitions rather than retreat from them. She also presents a practical plan involving Duncan’s guards, which makes the murder appear achievable. Her manipulation finally succeeds in changing Macbeth’s mind.
24. How does Lady Macbeth question Macbeth’s manhood?
Lady Macbeth suggests that Macbeth’s unwillingness to carry out his plan demonstrates a lack of courage and determination. She deliberately attacks his sense of masculinity because she knows that he values his identity as a brave warrior. By questioning his manhood, she pressures him into proving himself through action.
25. Why does Lady Macbeth use the image of a baby in her argument?
Lady Macbeth uses the shocking image of a mother killing her own baby to demonstrate the strength of her determination. She claims that once she has given her word, she would carry it out regardless of how horrifying the act might be. The image emphasises her apparent ruthlessness and determination.
26. How does Lady Macbeth plan to murder Duncan?
Lady Macbeth plans to give Duncan’s guards enough alcohol to make them incapable of defending him. Macbeth and Lady Macbeth will then murder Duncan and smear his blood on the guards. The guards will consequently appear responsible for the crime, allowing Macbeth and Lady Macbeth to escape suspicion.
27. Why does Macbeth finally agree to murder Duncan?
Macbeth finally agrees because Lady Macbeth successfully manipulates his sense of courage and masculinity. She also gives him confidence by presenting a practical plan for the murder. His ambition ultimately becomes stronger than his conscience, and he decides to proceed with the crime.
28. What does Macbeth mean by “False face must hide what the false heart doth know”?
Macbeth means that he must conceal his evil intentions behind an innocent outward appearance. His “false face” represents deception, while his “false heart” represents his hidden intention to murder Duncan. The line reinforces the central theme of appearance versus reality.
Important Broad Questions
29. Describe Lady Macbeth’s character as presented in Act 1, Scene 5.
Lady Macbeth is presented as a woman of extraordinary ambition, determination and willpower. After reading Macbeth’s letter, she immediately believes that he can become king but worries that his compassionate nature will prevent him from achieving the crown. She considers his “milk of human kindness” a weakness and decides to influence him. Her invocation of the spirits shows her willingness to suppress pity and conscience. She asks to be “unsexed” and filled with cruelty so that she can participate in Duncan’s murder without hesitation. She also demonstrates her intelligence by understanding the importance of deception. Her advice to Macbeth to appear like an “innocent flower” while secretly being a “serpent” shows that she understands how appearances can be manipulated. At this point in the play, she is more decisive and ruthless than Macbeth and becomes the principal force pushing him towards murder.
30. How does Shakespeare create dramatic irony in Act 1, Scene 6?
Act 1, Scene 6 is dominated by dramatic irony because Duncan is completely unaware of the danger surrounding him. He arrives at Macbeth’s castle and finds the surroundings pleasant and peaceful. Banquo also notices the martlet nesting there, which reinforces the impression of safety and hospitality. Duncan praises the castle and warmly accepts Lady Macbeth’s welcome. The audience, however, already knows that Macbeth and Lady Macbeth are planning to murder him. Lady Macbeth’s gracious behaviour is therefore completely different from her private intentions. Duncan’s description of her as a “noble hostess” becomes particularly ironic because she is preparing to betray him. Shakespeare thus uses the contrast between what Duncan sees and what the audience knows to create tension and foreshadow the murder.
31. Discuss Macbeth’s hesitation before Duncan’s murder.
Macbeth’s hesitation reveals that he still possesses a strong moral conscience. He understands that Duncan is his king, kinsman and guest, and that he has therefore no justification for murdering him. He also recognises Duncan’s virtues as a ruler and understands that his death could produce serious consequences. Macbeth considers the possibility that violence may eventually return upon the person who commits it. He finally admits that his only motivation is his “vaulting ambition.” As a result, he initially decides that he will “proceed no further in this business.” His hesitation demonstrates that he is not naturally or immediately ruthless. However, Lady Macbeth’s psychological manipulation eventually overcomes his resistance. His decision to proceed therefore represents the triumph of ambition over conscience.
32. How does Lady Macbeth succeed in changing Macbeth’s mind?
Lady Macbeth succeeds primarily through psychological manipulation. When Macbeth decides not to murder Duncan, she questions his courage and suggests that his hesitation makes him less of a man. She understands that Macbeth is proud of his reputation as a brave warrior and therefore attacks the very foundation of his self-image. She also presents a practical plan in which Duncan’s guards will be made drunk and then blamed for the murder. This reduces Macbeth’s fear about how the crime can be carried out and concealed. Lady Macbeth’s confidence contrasts sharply with Macbeth’s uncertainty. Her shocking description of what she would be willing to do demonstrates the strength of her determination. Eventually, Macbeth allows his ambition and desire to prove himself to overcome his moral objections. Shakespeare therefore shows how ambition can be intensified through manipulation.
Long Answer Questions from the Workbook
33. Referring closely to Act 1, describe the courage of Macbeth on the battlefield.
Macbeth is initially presented in Act 1 as a remarkably brave and courageous warrior. During the rebellion against Duncan, he fights with extraordinary determination and loyalty. He does not merely defend himself but actively seeks out the enemy and attacks with great force. His courage is demonstrated through his willingness to face danger directly. The wounded captain describes Macbeth as a heroic fighter who does not fear the violence of battle. Duncan is deeply impressed by Macbeth’s service and rewards him with the title of Thane of Cawdor. Macbeth’s military courage establishes him as a respected and powerful figure in Scotland. This makes his later hesitation before murdering Duncan particularly interesting because the fearless warrior of the battlefield becomes uncertain when confronted with a moral choice. Shakespeare therefore contrasts physical courage with moral courage.
34. Describe the contrast in the character of Macbeth and Banquo brought out by the witches’ prophecy.
The witches’ prophecy affects Macbeth and Banquo in very different ways. Macbeth becomes deeply interested in the possibility of becoming king and begins to think about his future in relation to the prophecy. Banquo, however, is more cautious and suspicious of the supernatural forces. He recognises that evil may tell partial truths in order to lead people towards destruction. Macbeth gradually becomes increasingly fascinated by the possibility of power, whereas Banquo remains morally cautious. The contrast becomes especially important because Macbeth allows ambition to dominate his judgment. Banquo does not allow the prophecy to determine his actions in the same way. Shakespeare therefore uses the two characters to demonstrate different responses to supernatural temptation. Their contrasting reactions also reinforce the importance of free will and personal choice.
35. Describe the character of Lady Macbeth as presented in Act 1.
Lady Macbeth is presented as an ambitious, determined and initially ruthless woman. When she learns about the witches’ prophecy, she immediately begins considering how Macbeth can become king. She understands that Macbeth is ambitious but believes that his “milk of human kindness” will prevent him from committing Duncan’s murder. She therefore decides to influence him and strengthen his determination. Her invocation of the spirits and her request to be “unsexed” show her desire to suppress compassion and embrace cruelty. She also demonstrates considerable practical intelligence by developing a plan to murder Duncan and blame the guards. Her ability to manipulate Macbeth shows that she understands his psychological weaknesses. She initially appears stronger and more decisive than her husband. However, her later guilt reveals that the ruthless exterior she constructs cannot completely destroy her conscience.
36. How is the theme of “appearances can be deceptive” presented in Act 1?
The theme of deceptive appearances is established repeatedly throughout Act 1. Macbeth initially appears to be a loyal and courageous warrior, yet the witches’ prophecy awakens his ambition to become king. Lady Macbeth advises him to “look like th’ innocent flower, / But be the serpent under’t.” Duncan then arrives at Macbeth’s castle and sees only beauty, peace and hospitality. He calls Lady Macbeth a “noble hostess”, completely unaware that she and Macbeth are planning his murder. Macbeth himself eventually accepts that his “false face” must hide his intentions. Thus, Shakespeare repeatedly contrasts outward appearances with hidden realities. The pleasant castle conceals a murderous plan, the gracious hostess conceals a ruthless mind, and the loyal subject conceals ambition and treachery. The theme therefore becomes one of the major principles governing the tragedy.
37. Describe the imagery used by Duncan to suggest his feelings towards Macbeth.
Duncan uses imagery that expresses warmth, admiration, gratitude and trust towards Macbeth. He considers Macbeth a brave and loyal subject who deserves honour for his service. In Scene 6, Duncan also describes Macbeth’s castle as pleasant and welcoming, which reflects his confidence in his host. His language is particularly ironic because the audience knows that Macbeth is preparing to betray him. Duncan’s positive imagery therefore contributes to the contrast between appearance and reality. His admiration also makes Macbeth’s eventual betrayal more serious because Macbeth is turning against a king who respects and rewards him. Duncan’s trusting language consequently heightens the tragedy of his impending murder.
38. Discuss the atmosphere of doom and disorder in Act 1.
The atmosphere of Act 1 gradually changes from uncertainty to doom and disorder. The appearance of the witches at the beginning introduces supernatural darkness and moral confusion. Their prophecy awakens Macbeth’s ambition and begins the chain of events leading towards Duncan’s murder. Lady Macbeth’s invocation of spirits, darkness and cruelty intensifies the sinister atmosphere. Duncan’s arrival at Macbeth’s castle creates dramatic irony because the audience knows that death is approaching while Duncan feels completely safe. Macbeth’s internal conflict further develops the sense of impending disaster. By the end of Scene 7, the murder has been deliberately planned. The atmosphere is therefore one of concealed danger, with peaceful appearances hiding a growing threat. Shakespeare creates the sense that the natural and moral order of Scotland is beginning to break down.
39. How does Shakespeare present the contrast between Macbeth and Lady Macbeth in these scenes?
Shakespeare initially presents Macbeth and Lady Macbeth as contrasting personalities. Macbeth is ambitious but hesitant, thoughtful and morally conflicted. Lady Macbeth is equally ambitious but appears far more decisive, ruthless and determined. Macbeth recognises Duncan’s goodness and his own responsibilities towards him, whereas Lady Macbeth focuses almost entirely on achieving the crown. When Macbeth decides to abandon the murder, Lady Macbeth attacks his courage and masculinity. She then gives him a practical plan for carrying out the crime. Macbeth eventually allows her arguments to overcome his conscience. Their relationship at this stage therefore shows Lady Macbeth acting as the stronger psychological force. At the same time, the contrast foreshadows the later reversal in their fortunes, when guilt begins to affect Lady Macbeth profoundly.
40. Discuss the importance of Act 1, Scenes 5, 6 and 7 in the development of the tragedy.
Act 1, Scenes 5, 6 and 7 are crucial because they transform Macbeth’s ambition into a deliberate plan for murder. In Scene 5, Lady Macbeth learns about the prophecy and immediately begins considering how Macbeth can become king. She recognises his weakness and decides to influence him. In Scene 6, Duncan arrives at Macbeth’s castle and unknowingly places himself in the presence of his future murderers. His confidence in the castle and its inhabitants creates powerful dramatic irony. In Scene 7, Macbeth struggles with his conscience and initially refuses to murder Duncan. Lady Macbeth then manipulates him by attacking his courage and masculinity and provides a practical murder plan. Macbeth finally agrees to proceed and accepts the need for deception. These scenes therefore mark the transition from prophecy to ambition, ambition to temptation, and temptation to deliberate action.
41. Why is Macbeth’s “vaulting ambition” so important to his character?
Macbeth’s description of his desire as “vaulting ambition” is important because it identifies the fundamental weakness that will contribute to his downfall. Macbeth knows that Duncan has not wronged him and that the murder cannot be justified. He understands that Duncan is his king, relative, guest and a virtuous ruler. Nevertheless, Macbeth desires the crown so intensely that he considers violating all these relationships. The metaphor of “vaulting” suggests an attempt to leap too high and consequently fall. His ambition therefore contains the possibility of his own destruction. Shakespeare shows that the witches do not create Macbeth’s ambition; they merely awaken something already present within him. Lady Macbeth then strengthens that ambition and turns it towards action. Macbeth’s tragedy consequently arises from the destructive combination of ambition, temptation and personal choice.
